Connecting visions

Today marks ten years since the devastating earthquake and Tsunami in northern Japan that caused one of the worst nuclear disasters in history. After a magnitude 9 earthquake hit off the coast of Tohoku, a massive Tsunami wiped off the Pacific coast in northern Japan, engulfing entire towns, killing over 18,000 people, and triggering a triple nuclear meltdown in the Fukushima Daiichi power plant.

In September 2018 I was on assignment to illustrate Richard Lloyd Parry’s article Ghosts of the Tsunami for The Passenger – Japan. I decided to explore the affected areas by joining a friend, Sendai based architect Fumiko Yonemura, on a 3 day road trip along the Tohoku coast. She was going to meet her clients, and I would take photos. After many years, trauma was still tangible everywhere. We met her clients In Kesennuma: an elderly couple whose family-run fish manufacturing business had been wiped away by the Tsunami. After years, they were still operating in a converted container, waiting for Yonemura to complete the new fish factory project.

On the way to Kesennuma, near Ishinomaki, we stopped to gaze at a massive anti-Tsunami wall, emerging from an eerie, deserted landscape. Protective seawalls were constructed all along the Tohoku coast after the 2011 Tsunami. Now almost completed, the cement barriers, some as high as 14 metres, will extend for around 400 km along the coastline.

Not a single person I spoke to during the trip was in favour of the Bohatei, the seawalls. Most argued that they would not protect the coast in case of a massive scale Tsunami anyway. At best, the seawall will shield vacant land, as most inhabited areas by the ocean have been relocated several miles away. A resident spoke about an alleged economic interest in the seawall project from which lobbying construction companies would benefit. Most said that the seawalls not only ruin the landscape, but irremediably compromise the special bond the locals have formed with the sea for generations. “My son will grow up fearing the sea”, said an Iwate resident.

March 11, 2021

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June 16, 2021

The new issue of The Passenger, about Switzerland, has been released. Prospekt has collaborated once again with Iperborea in order to curate all the photographic contents of the new issue. Olivier Vogelsang has worked across the city in order to…

June 5, 2021

The 2021 edition of Nippon Connection Film Festival in Frankfurt presents documentary film Ainu Neno An Ainu by Laura Liverani and Neo Sora as a world premiere.The film will be screening in the Nippon Docs section from June 1st to June 6th.

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The film “Under Siege” by Massimo Sciacca is now displayed video at “Memory Module”, a section of the  MESS Festival 2021 in  Sarajevo. Memory Module is one of the programs of J.U MES, which was first established in 1996. The idea behind this…

April 28, 2021

Prospekt is pleased to be once again partner of IMP – International Photojournalism Festival which returns to Padua after the first successful edition of 2019…

April 15, 2021

Congratulations to Mads Nissen winner of the World Press Photo PICTURE OF THE YEAR. The independent jury of the 2021 Photo Contest selected Mads Nissen’s photograph The First Embrace as the World Press Photo of the Year. In the winning image…

April 13, 2021

The new issue of The Passenger, about the space, has been released. Prospekt has collaborated once again with Iperborea in order to curate all the photographic contents of this new special issue. This volume is also special because the…
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Ainu Neno An Ainu

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Under Siege

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La Settimanale di Fotografia Online 2021 - Behind the Screen (italian - autoCC)

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